For a generation of British television viewers, the name ‘Brookside’ conjures up a very specific image: a quiet cul-de-sac in Liverpool, seemingly idyllic, yet brimming with drama, social commentary, and often, groundbreaking controversy. Launched on Channel 4’s inaugural night in November 1982, Brookside wasn’t just another soap opera; it was a bold experiment, a gritty, realistic portrayal of working-class life that dared to tackle subjects other shows wouldn’t touch. It was, in many ways, a reflection of Thatcher’s Britain, capturing the nuances of class, politics, and everyday struggles with an unflinching gaze.
Created by Phil Redmond, the mastermind behind Grange Hill and later Hollyoaks, Brookside set itself apart from its more established rivals like Coronation Street and EastEnders from the very beginning. Instead of a bustling pub or a market square, its universe revolved around a handful of houses on Brookside Close. This intimate setting allowed for intense character development and storylines that felt deeply personal and often unsettlingly real. Redmond’s vision was to create a show that mirrored the lives of its audience, dealing with contemporary issues head-on, from unemployment and industrial disputes to domestic abuse and sexuality.
Initially, the show faced its share of teething problems. Critics were quick to point out technical issues and the then-unusual amount of swearing being broadcast before the watershed. However, as the production team ironed out these kinks and new, compelling characters arrived, Brookside began to find its stride. By 1984, it had achieved mainstream popularity, lauded for its realism and willingness to push boundaries. The early years saw the introduction of iconic families like the Grants – a working-class socialist family whose patriarch, Bobby, often clashed with his conservative, middle-class neighbours, the Collinses. These early tensions laid the groundwork for the show’s enduring appeal: a microcosm of British society, played out on a suburban street.
The Golden Age and Groundbreaking Storylines
The mid-1980s to the mid-1990s are widely considered Brookside’s golden age. During this period, the show consistently topped Channel 4’s ratings, with audiences regularly exceeding seven million viewers. This success was fueled by a series of powerful and often controversial storylines that captured the nation’s attention and cemented Brookside’s reputation as a trailblazer.
Perhaps the most famous of these was the “Body Under the Patio” storyline. In 1993, viewers were gripped by the harrowing tale of Mandy and Beth Jordache, who, after suffering years of abuse at the hands of husband and father Trevor, finally snapped and killed him. They buried his body under the patio in their back garden, where it remained for two years before being discovered. The subsequent trial and imprisonment of the Jordache women drew the show’s highest-ever ratings of nine million viewers and sparked a national conversation about domestic violence. This storyline was so impactful that it has been referenced in pop culture for years since, a testament to its enduring power.
Brookside also broke new ground with its portrayal of LGBTQ+ characters. In 1994, the show broadcast the first pre-watershed lesbian kiss on British television between Beth Jordache and Margaret Clemence. This was a landmark moment for LGBTQ+ representation on screen and, while it generated some complaints, it was also praised for its sensitive and non-sensationalist handling of the relationship. The show continued to explore gay and lesbian storylines throughout its run, contributing to a greater understanding and acceptance of LGBTQ+ people in Britain.
However, not all of the show’s controversial storylines were met with acclaim. In 1996, a storyline involving an incestuous relationship between siblings Nat and Georgia Simpson caused a significant backlash from viewers and critics alike. Channel 4 was forced to issue a public apology, and the incident marked a turning point for the show, with some arguing that it had strayed too far from its social-realist roots in pursuit of sensationalism.
The Decline and Eventual Cancellation
By the late 1990s, Brookside began to struggle. Viewing figures, which had once soared, started to decline, falling below seven million by 1998. New Channel 4 executives questioned the show’s future, and despite attempts to return to its original social-realist ethos, the damage was done. The show had become synonymous with increasingly outlandish and improbable plots, often involving guns and explosions, which alienated many long-term viewers and critics.
The early 2000s saw a desperate attempt to revamp the series. Old characters were revived, and new families were introduced, but these efforts largely failed to stem the tide. Storylines were perceived as rehashes of past successes, and controversial plots, such as a child abuse scandal involving popular character Sinbad, were poorly received. The ratings continued to plummet, dropping below five million by 2001.
In 2002, as Brookside approached its 20th anniversary, Channel 4 made the drastic decision to remove it from its prime-time evening slots, relegating it to a single Saturday omnibus. This move was widely seen as a death knell, a way for the channel to fulfill its contractual obligations until November 2003 while allowing the show to die quietly. The final episode, written by Phil Redmond, aired on November 4, 2003, concluding with Jimmy Corkhill delivering a poignant, scripted rant about modern society before vandalizing the abandoned houses of Brookside Close and moving away. At its peak, the finale drew 2.27 million viewers, a far cry from its heyday.
Where Are They Now? The Legacy of Brookside’s Stars
For many of its actors, Brookside was a launching pad, while for others, it remained their most defining role. The show’s ensemble cast became household names, and their post-Brookside careers have been as varied and interesting as the characters they played.
Anna Friel (Beth Jordache) is arguably one of Brookside’s biggest success stories. After her groundbreaking role, Friel went on to achieve international recognition in film and television, starring in Hollywood productions and critically acclaimed series like Pushing Daisies and Marcella. Her career trajectory is a testament to her talent and the platform Brookside provided.
Ricky Tomlinson (Bobby Grant) and Sue Johnston (Sheila Grant), who played the iconic Grant parents, continued to be beloved figures in British television. Tomlinson became a national treasure, known for his roles in The Royle Family and various films, often portraying working-class characters with his signature charm. Johnston has had a prolific career, appearing in numerous popular dramas such as The Royle Family, Waking the Dead, and Downton Abbey, showcasing her versatility and enduring appeal.
Dean Sullivan (Jimmy Corkhill), whose character delivered the show’s final monologue, remained closely associated with Brookside. He continued to act in various stage productions and made appearances discussing the show’s legacy. Sadly, Dean Sullivan passed away in 2023, leaving behind a significant impact on British television.
Other notable cast members also found continued success. Claire Sweeney (Lindsey Corkhill) transitioned into a successful career in musical theatre, presenting, and reality television. Paul Usher (Barry Grant), known for his tough-guy persona, went on to appear in other popular dramas like The Bill. Many other actors from Brookside have continued to work steadily in television, film, and theatre, a testament to the strong acting talent nurtured on Brookside Close.
The Enduring Legacy of Brookside
Even after its cancellation, Brookside continues to hold a special place in the hearts of many British television viewers. Its impact on the landscape of UK drama is undeniable. It challenged conventions, confronted uncomfortable truths, and provided a platform for stories that were often overlooked by mainstream television. While its later years were marked by a struggle for relevance and declining viewership, the show’s early commitment to realism and social commentary set a benchmark for future productions.
In an era where streaming services are bringing classic shows back into the public consciousness, Brookside has also found a new audience. From February 2023, the first episodes became available to stream on STV Player, allowing both nostalgic fans and new viewers to rediscover its unique charm and groundbreaking narratives. The recent Hollyoaks crossover, featuring former Brookside cast members and even the iconic Brookside Close itself, further demonstrates the enduring affection and cultural significance of the series.
Brookside was more than just a soap opera; it was a cultural phenomenon that dared to be different. It tackled issues that resonated deeply with its audience, from the everyday struggles of working-class families to the seismic shifts in social attitudes. Its legacy is not just in the careers it launched or the ratings it achieved, but in the way it pushed the boundaries of television drama, leaving an indelible mark on British broadcasting history. It reminds us that even in a quiet cul-de-sac, the most profound stories can unfold.